Invasion of Washington DC 1952 Photo UFO Flying Saucer Extraterrestrial 8.5X11

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Location: Las Vegas, Nevada
Ships to: US,
Item: 315895250403

Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Unit of Sale:Single Piece
Image Orientation:Landscape
Size:8.5X11 in
Signed:No
Image Color:Black & White
Framing:Unframed
Original/Licensed Reprint:Original
Subject:Aircraft,Military,Washington DC UFO Incident,Capital,Capital Building,Washington D.C.,UFO,unidentified flying object,flying saucer,UFO Sighting,spaceship,unidentified aerial phenomena,UAP,Extraterrestrial,alien
Type:Photograph
Year of Production:2024
Theme:Aviation,Cities & Towns,Conflicts & Wars,Continents & Countries,Militaria,Patriotic,Transportation,Working Life,Washington National Airport,Invasion of Washington,Andrews Air Force Base,New Castle Air Force Base,extraterrestrial,spacecraft,legend,folklore,myth,alien invasion,science fiction,sci-fi
Time Period Manufactured:2020-Now
Country/Region of Manufacture:United States
Production Technique:Giclée
Finish:Matte

Invasion of Washington DC 1952 Photo UFO Flying Saucer Extraterrestrial 8.5X11, created in the style of a 1952 photo. Background: From July 12 to 29, 1952, a series of unidentified flying object (UFO) sightings were reported in Washington, D.C., and later became known as the Washington flap, the Washington National Airport Sightings, or the Invasion of Washington. The most publicized sightings took place on consecutive weekends, July 19–20 and July 26–27, 1952. An air traffic controller at Washington National Airport, spotted seven objects on his radar. The objects were located 15 miles south-southwest of the city; no known aircraft were in the area and the objects were not following any established flight paths. On one of National Airport’s runways, a Capital Airlines pilot, was waiting in the cockpit of his DC-4 for permission to take off. After spotting what he believed to be a meteor, he was told that the control tower’s radar had detected unknown objects closing in on his position. The pilot observed six objects — “white, tailless, fast-moving lights” — over a 14-minute period. Maintaining radio contact with Washington National Airport during his sighting, and the senior air-traffic controller later related that “each sighting coincided with a pip we could see near his plane. When he reported that the light streaked off at a high speed, it disappeared on our scope.” Meanwhile, at Andrews Air Force Base, the control tower personnel were tracking on radar what some thought to be unknown objects, but others suspected, and in one instance were able to prove, were simply stars and meteors. However, a Staff Sgt. on duty observed an orange-red light to the south; the light “would appear to stand still, then make an abrupt change in direction and altitude . . . this happened several times.” At one point both radar centers at National Airport and the radar at Andrews Air Force Base were tracking an object hovering over a radio beacon. The object vanished in all three radar centers at the same time. At 3 a.m., shortly before two United States Air Force F-94 Starfire jet fighters from New Castle Air Force Base in Delaware arrived over Washington, all of the objects vanished from the radar at National Airport. However, when the jets ran low on fuel and left, the objects returned, which convinced the senior air-traffic controller at Washington National Airport that “the UFOs were monitoring radio traffic and behaving accordingly.” The objects were last detected by radar at 5:30 a.m. NOTE: This is an artist’s rendition, not an actual photograph of the event. Through this artist’s rendition, the audience is encouraged to explore the enduring fascination and cultural impact of the Invasion of Washington D.C. incident of 1952, American folklore. The artist has taken creative liberties to convey the mysterious nature of the incident, incorporating elements that evoke a sense of wonder and curiosity. 8.5X11 inch Photograph ReproductionSIZE: 8.5X11 Inch Art PrintPRINTER: Epson industrial printers.PAPER: The matte print paper we use features a beautiful soft white printing surface with outstanding ink holding capabilities. The matte paper is totally acid free and its heavy weight makes it ideal for high quality printing.PREMIUM INK: We use only Genuine OEM (Original Manufacture Product ink. PACKAGING: Professional packed in a cellophane protective sleeve then in a rigid photo / print mailer.SHIPPING: We ship orders Monday through Friday, excluding holidays.PLEASE NOTE: Watermarks will be removed from your photograph.If you have any questions please contact us:) We professionally trim each print to fit a standard 8.5X11 inch frame or it may be used with a mat. No hassles to mount your print, just remove the back of the frame, position your print, and place the back, secure and hang your new print. It’s easy peasy!We insert your print in a protective cellophane sleeve and place in the flat rigid mailer. We add “Do Not Bend” stickers on the front and back of the mailer. Your print will arrive professionally packed in a rigid photo / print mailer. We have been a providing reproduction art prints from our collection since 2004. Our images are décor in homes, offices, dorms, and several feature length movies. If you are not happy with your purchase please send it back within 30 days in it’s original condition for a no questions asked return for a full refund. All photos which we restore for reproductions and reprinting are in the public domain. We review each photograph and lovingly clean, retouch, repair and restore the photo without altering the photographers original intent. Occasionally we may need to lightly crop a photo which is not the correct aspect ratio. However, we NEVER stretch or pull the digital image to fit the required photograph size. Original image quality varies with vintage photographs, photo technology was in the early days of development of this wonderful technique of recording memories for all time. Please keep in mind cameras, lighting, film, developing and storage techniques were not as advanced. Sometimes photographs we restore have lighting, exposure and developing flaws which we do our best to correct and restore. When you purchase a reproduction / reprint photograph from us it is for personal use only. No copy rights are transferred to you. The information about the photographs are sometimes without specific details. We provide information which accompanies the photograph to this detail page, we do our best to be accurate, however, we assume no liability for errors in descriptions. NOTE: This is an artist’s rendition, not an actual photograph of the event. Through this artist’s rendition, the audience is encouraged to explore the enduring fascination and cultural impact of the Invasion of Washington D.C. incident of 1952, American folklore. The artist has taken creative liberties to convey the mysterious nature of the incident, incorporating elements that evoke a sense of wonder and curiosity.

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